How It Runs
Every project opens with a one-page schedule: sketch date, tracking dates, mix revisions, delivery day. You see the whole road before paying the first milestone, and the dates only move if you move them.
Mid-project you get progress mixes on fixed days — no chasing, no silence. Each arrives with a short note on what changed and what still needs your ear.
Paperwork Included
Delivery day is more than audio. Film work ships with cue sheets and timecoded stems; songs ship with splits-friendly credits and lyric sheets; everything ships labelled so plainly that your distributor, dub mixer, or archivist never has to ask.
That is why 150 finished works sit behind us with their dates kept — and why their makers came back.
