Loved Aloud

Band driving a live set under stage lights

Clients Who Come Back Singing

Most of our diary is return business: filmmakers on their third score, singers on their fifth single, theatres on their tenth season. They return for the music, and stay for how painless we make it.

  • Sophia Bennett — three singles, one festival anthem
  • Daniel Carter — two features, one main theme audiences hum
  • Oliver Grant — a live set rebuilt from the ground up
  • Your name here — the kettle is already on
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Why They Return

Ask our regulars and three answers repeat. First, the themes stick — directors report audiences humming cues in the lobby. Second, the dates hold — premieres do not move, and neither do our deliveries. Third, the room is calm — sessions run on time, on tea, and without raised voices.

That combination is rarer than it sounds, and it is why a first single so often becomes a catalogue.

How A First Project Feels

It starts with a conversation, not a contract: your aims, your dates, your budget said plainly. Then a small first milestone — a theme sketch, a trial lesson, a test mix — so you can judge us on work, not promises.

If that first milestone delights you, we plan the rest together. If it does not, you keep the sketch with our thanks. Either way you risk little and learn plenty.

Join The Chorus

Tell us what you are making and get a plain, dated first step back.

Start A Project